Der Bildhauer Raymond Lohr zeigt „sein unumstößliches Zeugnis“

Lëtzebuerger Journal on the open days at Raymond Lohr’s sculpture studio in Helmsange (Walferdange) in July 2000. The piece quotes D.W. Dörrbecker’s exhibition text on Ray L’s ties to classical modernism, from Brancusi to Max Bill and François Stahly, and Paul Celan’s poem Weggebeizt displayed beside the stones, with a photograph of children on one of the sculptures.